Archive for the ‘Celebrity’ Category

MET Gala 2012 The Bad……

May 10, 2012

It can only start with Anja Rubik in Anthony Vaccarello. If you haven’t seen coverage of that hip bone then you must have been hiding under a rock. For me it’s totally awful and tasteless. It’s not sexy milky curves, it’s an incredibly thin model whose hip bone probably comes under Unicef protection for abuse against humanity. This isn’t clever draping that looks as if it’s defying gravity holding onto the  body, this piece of fabric is holding on for dear life!

Sarah Jessica Parker in Valentino. I commented on this during Fashion Week season and let it be known again that current Valentino hurts my soul! This dress is matronly, sugary, shiny and frankly downright ugly. The two gold cuffs are bizarre extras that seem to have no place with the virginal nightgown. And is that a matching shoe???

Kristen Stewart in Balenciaga. Do you think she got out of her car and thought ‘Doh, I thought I was turning up to some edgy premiere, not Anna Wintour’s fashion castle’ and the shoes look like bandaged Egyptian mummy feet. Considering people are claiming her a No 1 best dressed on numerous magazine lists, for me this is a major backwards step.

Diane Kruger in Prada. I expect so much more from her; even if I don’t always like her fashion choices, they are at least high quality choices. This is a hippy slip dress with a big feather boa crawling round the hem. If you put your hand over the bottom half it looks like a perfectly average strappy top with a boho necklace and if you put your hand over the top half you have an over-played Ginger Rogers’ night dress. Together this does not work. Lovely colour though.

Jessica Chastain in Louis Vuitton. I don’t know why Jessica seems to like to dress like a much older version of herself. She looks like a trussed up bird in this dress and it’s not at all flattering to her figure with the line across the hip causing it to bulge. I do like the super sexy bodice and if only it was tailored onto a really tight skirt in much better quality fabric it would look so much less wagon trail.  Also this is the perfect example of where Hollywood hair doesn’t work and ages the look.

Emma Stone in Lanvin. This was custom made, CUSTOM MADE, and this is what they came up with? Her face says it all, it’s a grin-and-bear-it dress and the fact that there are paparazzi pictures floating around of this dress ripping in the car highlights even further that it was not fit for purpose. It’s far too girly and frilly and winsome and the hair is also very prom. Awful.

Gwyneth Paltrow in Prada. How unflattering is this on her legs? Surely no one does Tracy Anderson as religiously as she does in order to make her legs look bad in a dress? The side boob is not sexy and frankly isn’t necessary;  she’s just trying too hard. With the dipping hem, the frill and the racer front, this all looks as if it’s been cobbled together with no clear design direction.

Coco Rocha in vintage Givenchy. Yes, I know it was Elizabeth Taylor’s but that doesn’t mean it works for you, Coco. The dipped dyed hair is an affront to the house of Givenchy, Liz Taylor and the MET ball. This look is so mainstream now; as a top model you really should be ahead of the game not going with a trend that’s on the high street. I also think the pink top and pink ballet style shoes are so wrong and practically make a mockery of it. A black skirt would have looked so much cooler and some edgy shoes would have made this auction piece the real deal.

Jessica Alba in Michael Kors. Little to say on this bar that I expect so much more from her and putting hair on the opposite shoulder to the one shouldered dress is so lame.

Lily Collins in….. one guess, its dowdy, floral…. and yup, it’s Valentino. How any young girl would pick this off the rack as the perfect dress is beyond me. How any stylist would call in this dress for a young actress is beyond me too, and the fact that no one said that this is old, dull, fussy and prim is the final straw!

Claire Danes in J Mendel. I don’t want to Danes bash because, like everyone else, I think she’s amazing in Homeland.  Aside from the fact that she seems to like wearing white on the red carpet, this dress does not work for her proportionally. She is pretty short and this low wrap makes her look unnecessarily dumpy and heavy around the thigh. The dark roots in the hair really shouldn’t be there and I also think the whole look needs coloured jewellery to lift it. Can’t wait for season 2 though!

And finally Marc Jacobs in.. .. oh, who cares. I find this incredibly try-hard-to-be-noticed, unimaginative and frankly pretty childish.  And it doesn’t even look good. Yawn.

Source: Zimbio

MET Gala 2012 The Good….

May 9, 2012

I apologise for the lack of posts recently but I have been incredibly busy prepping for shoots, shooting, editing and crediting! So a good comeback post is the MET Gala which took place on Monday in New York. This event is often called the East Coast Oscars and I definitely get more excited about them because people can really flex their fashion muscles without needing to please the middle road. That said, this year wasn’t a great example of this: the out of the ordinary looks were rarely exciting and lots of people played in safe. The theme this year was Schiaparelli and Prada: Impossible Conversations, and was chaired by Anna Wintour, Muccia Prada and, bizarrely, Carey Mulligan. This post focuses on the good and tomorrow I’ll post on the bad, and yes, I mean you, SJP!

January Jones in Versace. This yellow is so vibrant and I love the geometric accents of darker colour and all the tailoring is so flattering to her body. The turquoise necklace is a nice touch; I wouldn’t necessarily have thought a strong-ish necklace would have worked but because her hair and make up is so simple I think it looks great.

Ginnifer Goodwin in Monique Lhuillier. Another bold choice with its strong orange colour, in this case softened by the draping, the lace and the sheer sections.  The only downside for me are the shoes, which needed to be strappy and either same colour, nude or black.  And still just loving her short hair!

Jessica Stam in John Galliano for Dior.  This for me is what the MET ball is about. Yes, it’s a tad Star Trek with a healthy dose of the orient but it’s also beautiful and intricate and high fashion. I love the vertical flick of the blush eye liner that echoes the shoulder profile and the arm full of bracelets. It’s all just so classic Galliano, which is why he is much missed.

Diane Von Furstenburg in Diane Von Furstenburg. I love this woman, she dresses so well and always looks intereting, smart and elegant. I love the bright colour with the whimsical puzzle pieces and the long gloves make this more gala.  I think the chunky necklace works but I would have ditched the earrings.

Marion Cotillard in Dior. It’s elegant and timeless, beginning with the demure neckline and then getting edgier as it goes down. It’s not crazily fashion forward but not quite classic either, which is clever. I don’t like the watch though, it’s a major no-no; if you’re going to a ball like this one you don’t need to check the time.

Constance Jablonski in Haider Ackermann. Everyone knows my love for this man’s work and it’s so good to see him represented by a model I also admire. It’s not necessarily the best of his lovely colour combos – I would have chosen his burnt oranges and maroons – but none the less it’s striking and beautiful.

Beyonce in Givenchy. Only Beyonce can do this, so you’ve been warned! But seriously, wow! She looks all woman and so much more, hence my inclusion of a behind shot. This is dramatic and theatrical, her make-up is perfection and she’s glowing. I just wish the body underneath was slightly closer to her skin tone so it looked even more nude.

Milla Jovovich in Prada. The first and only Prada look I’ve included in the positive column.  I love the loose drape of the bodice, the gladiatorial panels on the skirt, the slightly twenties look with the side swept hair, but what is with those yellow/orange nails?! Horrible.

Doutzen Kroes in Roland Mouret. In an evening that featured quite a lot of black and white, this look stood out the most. It’s geometric with a light and humourous touch, almost a court jester quality (am I reading into it too much?!), and great old Hollywood hair to set a chic tone.

And finally Rihanna in Tom Ford. I dread to think how much this dress would cost but it has massive impact. It looks like hangbag material, as hard and shell-like as an armadillo and yet magically is also seductive and effortless. I think the claw nails take the theme too far and it’s a shame about the hair, I’m sure that Mr Ford would not have passed off on that!

I don’t know who these girls are but I like the composition of the architectural looks.

Source: Zimbio

Kate Winslet Cover plus

April 3, 2012

I have been waiting for April’s Elle China to come out for  a long time. I worked on this shoot before Christmas, assisting the stylist, Miranda Almond; Giles Bensimon was the photographer.  It was a great experience and I specially love the orange sequin Elie Saab dress, which was sent from Paris for this shoot.

Source: ArtWorkCity

Suite Views

March 16, 2012

We had a beautiful day of weather on Monday and I was lucky enough to be able to see the whole of London bleached in spring sunlight from the top of a hotel. I was on a shoot for a European publication, sorry for the elusiveness on names, places etc, but as ever, it’s all hush hush pre publication. Amazing location in a penthouse, incredible weather, some Alaia shoes I would die for and Valentino straight from Paris. Not bad for a day’s work!

Oscars Overview 2012

February 27, 2012

Because of the Oscars last night I have taken a break from Fashion Week write ups (now in Milan) to do Fashion Red Carpet write ups instead. In fact some of the best looks came from the Vanity Fair after party, which is a shame and a wasted opportunity. Anyway, in no particular order, the good and then the bad. Some stylists have clientele who have hit the jackpot and some others are being taken for a ride.

Jennifer Lopez in Zuhair Murad. This shows off her curves in all the right places and yet she manages to look suprisingly demure. I would have preferred a bright nail colour to make this a bit younger; in fact there was a trend for nude nails which I find a boring option at a time when nail varnishes are really current and come in an incredible range of great colours.

Milla Jovovich in Elie Saab. In my opinion this couture collection could have provided many more dresses for the red carpet this season; this is a great example of the beautiful beadwork and body sculpting shaping that Elie Saab brings to his occasion  dresses. The white is a little wedding and there were some lovely blue and pale yellow options from this collection which would perhaps have worked better.

Sandra Bullock in Marchesa. I love the concept of this dress and the beading wrapped around the waist is really artistic, like frosty fingers. I think the top would be better a little more fitted and slightly looser hair would have made this softer but I love her so she gets a free pass.

Glenn Close in Zac Posen. Perhaps not the best pose for this dress but she does look amazing. The pleating around the bodice, the sharply cut jacket, the great colour make it a really flattering and youthful look for her, nice relaxed hair too to contrast with the formal column of the dress.

Gwyneth Paltrow in Tom Ford. I want to love this because it’s Tom Ford and I do like it. It’s cool in its simplicity and the cape/cloak is new to the A-list red carpet. She looks long and lean and statuesque but perhaps it works the Ice Queen thing a bit much.

January Jones in Wes Gordon. I hadn’t heard of this designer before and I really appreciate how different this is. I’m not quite sure about the brown material but the mix of colours works beautifully and I love the soft green top with her wavey hair. Also, I’m so excited about the return of Mad Men that it’s probably clouding my judgement.

Elizabeth Banks in Chadwick Bell. I’m going to criticise spots later in this post but here is the perfect example of how they can work. This is sophisticated and the softness from the navy feathers is lovely. She looks grown up and beautiful.

Jessica Chastain in Alexander McQueen. The intricate pattern detail on this dress is absolutely stunning and combines soft and hard edges into a great look. The gold suits her colouring perfectly and I really like the softer hair. It’s a statement dress with a lot going on so it’s good that accessories are kept simple.

Rose Bryne in Vivienne Westwood. Firstly she is way too thin, but that said, this dress is amazing. It manages to look like liquid but also like armour and it works really nicely with the simple haircut. A great look, made even better by being by a British designer. I just hope she’s wearing both earrings.

Kate Beckinsale in Roberto Cavalli. I cannot believe I am putting Kate Beckinsale in the good column because usually her look is more contrived than this and overtly sexpot. Obviously this is still super sexy but I really love the pale yellow colour, the random patterning and the subtle see-through sections. A pleasant suprise.

Kate Bosworth in Prabal Gurung. I love this! It’s so pretty but edgy too, a flowery pattern but in hard jet beads.  I’m just not sure I love the shoes, they are a bit corporate.

Another Kate, this time Hudson, in vintage Versace. I don’t love the hair but she does look amazing in this red number. The fringe is so on trend and gave movement to the posed carpet shots.  It’s very low cut at the back and altogether really  flattering to her slim frame.

Natalie Portman in Christian Dior Couture. I don’t like this at all, principally because it makes her look old. Polka dots for me rarely work as an Oscar look, certainly not here.  Her hair is ageing and almost suggests a receding hairline. The jewellery is all wrong for this dress too, for me something more modern and chunky, perhaps in black jet, would have been better.

Penelope Cruz in Armani Prive. This is such a disappointment; the Armani Prive collection produces really stunning dresses and this is so bland. There is nothing exciting or eye catching about this 50s debutante look: the matching purse doesn’t make it any cooler and the ageing hair and dull diamond jewellery again give you an impression of her at 70! Sophia Loren look out.

Shailene Woodley  in Valentino. This illustrates my main issue with the fashion house since Valentino left, it has lost its sex appeal. This is matronly but also virgin bride; the girl is 20, why is she in something so covered up and boring? It’s disappointing that a stylist isn’t giving her young, fresh options like when Hailee Steinfeld hit the red carpet last year. I know ultimately it comes down to what the client likes but none of Shailene’s previous looks have been anything this conservative.

Viola Davis in Vera Wang.  This  is a Project Runway disaster. The frill swathed around the bottom of this looks like an afterthought hurriedly tacked on, the colour is unsubtle and the cleavage is overkill when there is so much else going on.

Berenice Bejo in Elie Saab. This doesn’t work for me. She is so charming and flirty in The Artist but this is an older woman’s dress with the covered arms and safe colour.  It doesn’t flatter her figure and as someone who knew she would probably have to be on stage to accept an award of some kind, I really think she could have worn something much more chic, stand-out and frankly French.

Colin Firth’s wife Livia in God knows what. This is so awful! Horrible frilly cups on the bodice, the bow on the high waist line and on the babyish bag, and what looks to be a train of some kind at the back. It’s such a mess and a mix of a christening gown and a costume for an Elizabethan drama. I’ve just found out this was Valentino too…I rest my case!

Emma Stone in Giambattista Valli. This has no neck, a severe parting in the hair and very little make up: this isn’t young or sexy or modern and as other people have pointed out, it’s very similar to the Nicole Kidman dress she wore back in 2007.

Michelle Williams in Louis Vuitton. Although I quite like the colour, I don’t like the straight across neckline which needs to be pulled down in the middle to make a V frame. The bow brooch and pink bag are silly girlish touches which are not needed becaase she is so feminine already. It’s also a little heavy on her small frame. and the back of the bodice is a nude colour which looks really odd and almost unfinished.

And surely the joke of the night is Angelina Jolie in Atelier Versace. Why is she standing like this? Why in every picture is she standing like this? And why did she present from the stage in this exact same position? It’s so contrived: yes, we know there is a slit in your dress but you don’t have to keep sticking out your boney knee to remind us, it looks so awkward.

Source: Zimbio

Golden and Tarnished Globes 2012

January 18, 2012

This year for my take on the Golden Globes I am going positive negative positive negative until the end, where I get abit undecided and into murky water.

So, first up is Angelina Jolie in Atelier Versace. This for me is vintage Jolie style and the best she has looked at a big awards ceremony in a while. Although I’m not usually crazy about cream, against her white skin and quite severe hair it softens the whole look and work. I love the slash of red high up on the shoulder replicated in the bag and lipstick. It’s a pretty simply styling technique and can look overdone and too matchy matchy but for her it works. She’s wearing this dress, not the other way around.

Michelle Williams in Jason Wu. Will this girl ever learn? Why get an elfin hair cut that suits you so well but then ruin it by going matronly? She has worn a round neck before and been panned for it and this is no better. Then the horrible insignificant hairband, which doesn’t seem to be there for any reason. The whole look seems tired and therefore so does she. She is so cute and could carry off real high fashion; where has the girl who wore that amazing yellow dress in 2006 gone?

Claire Danes in J Mendel. This is very simple at the front with an interesting back and I like the blocked black and white panels. The strong lip looks great and so does the twist of hair into a bun at the back.

Charlize Theron in Dior. This a hot mess of a dress! As you will know, I hate short at the front, long at the back dresses and this is no exception. This pale pink, beige, cream  does not suit her skin tones and looks frankly a little tarty. The bodice looks like its stretched to within an inch of its life down into the waist band in order to avoid a mishap. Then there are three tiers of fabric for no good reason and finally the ankle straps on the shoes completes this mishap.

Evan Rachel Wood in Gucci. This dress is beautiful with its feather details and the lovely deep greens running through it. She’s part mermaid part bird. From the wider shoulder straps down it is super figure-flattering. Not sure about her hair colour, I prefer her darker look.

Jessica Chastain in Givenchy. A polo-neck is never acceptable for an evening dress and how old does she look? After a quick google, I find  she’s 30 – she could be 50. Horrible Dallas hair and cheap looking pearl earrings don’t help, and I don’t want to bash her figure, but the cut of the dress and the high black belt widen her shoulders and does nothing to flatter her.

Zooey Deschanel in Prada. She has been known for overdoing the all out kooky look, but here she pulls off different in an interesting and chic way.  I love the bright chartreuse colour in the beading on the front of this dress. Her hair looks great too, glossy and simple.  She looks comfortable and confident.

Sarah Michelle Gellar in Monique Lhuillier. Wow! Unwisely she said her two year old picked this dress for her and it shows! This is so truly awful that my fingers are hovering over the keyboard trying to pick words to evoke my disgust. I love the fabric pattern which would work prettily under the summer sun, but to use it puffed out into great widening billows for a red carpet gown seems misguided. Maybe the child can make a den under it when the show’s over.

Nicole Kidman in Versace. I can’t believe I’m writing this but after several years of mistakes – and not just in her choice of plastic surgeon – she actually looks quite good. I love the pale grey with the body-shaping gold design and the simple toning accessories. It looks super luxury but not overly worked.  Suprisingly impressive.

Kate Winslet in Jenny Packham. How short does this dress make her look? She normally shows off her curves to perfection but the white skirt is doing nothing for her body. I don’t like how hard the make-up is either; it’s odd because it’s so understated and yet somehow doesn’t seem very fresh.  Good hair though.

Helen Mirren in Badgley Mischka. I’m a sucker for navy but how amazing does Helen Mirren look? I don’t need to say anymore; just look and pray we all look that good when we are her age.

Piper Perabo in Olivier Theyskens. I don’t understand what went through her mind, or the stylist’s? What was the message? What the genre, the reference, the mood? What was the…..? Nope, I don’t get anything from this dress except sheer volume (see what I did there)?! Although she still looks about 22 she is in fact 35 (thanks again google), and this dress is a major no no for anyone over 5years old (little Miss Gellar might like it…). It’s a bizarre colour with a nasty sheer panel down the front of the bodice, and all the photos are of her faffing around with it making random faces, which makes it even more uncomfortable.  If only she could have at least worn it with laid back confidence, but it’s the childlike exuberance of ‘look mummy, I’m in a big dress’ that makes it worse.

Dianna Agron in Giles. I am impressed, I love this! It’s lazer cut, so much edgier than lace, and looks like tattooing and latticework and wrought iron but also Japanese art. It’s very cool. The upswept hair is classy and oldschool and she oozes glamour.  Quinn A+.

Emma Stone in Lanvin. This is where we get onto the ‘yeah but, no but’ finalists. I love the colour: maroon, aubergine, dark purple whatever you want to call it, it’s my favourite. I like the draping, the bare panel at the side, the padded shoulders with the twist of  pink detail, but I do not like the belt at all.  It looks like a piece of KGB memoribilia and it totally ruins it for me. Damn you, belt!

Reese Witherspoon in Zac Posen. I don’t mean to be crude but what was she up to in the limo beforehand?! That hair is freshly mowed hair and it looks awful. Otherwise I like the tailoring along the panels of the dress, which does manage to make her look tall, but there is one strong feeling coming from this look, and I hate to say it, but it’s Country!

Natalie Portman in Lanvin. I like this, it’s cute and it’s pretty, but it’s just a little safe and perhaps a tad old for someone as stunning and fashion-capable as Natalie. But she does look stunning and as with Angelina’s dress, I love the fold of red on the top.

Heidi Klum in Calvin Klein. The one issue with loose backless dresses is that the forward silhouette is often not as form-fitting as it should be. I love the nude colour mixed with the turquoise necklace: it’s a combo that is used regularly and rarely disappoint. But it’s  a shame the front isn’t more tailored as really that’s all you see in most photos and I think her hair is far too straight: step away from the straighteners, Heidi, and go for something a little more relaxed.

Tilda Swinton in Haider Ackermann. The Ice Beauty. I think this outfit is pretty amazing, it’s bold and different and sharp and no one else but Tilda could pull it off. The two heavy matching bracelets are a great touch of jewellery in an otherwise simple but beautifully tailored look. Only issue for me is I love Haider Ackermann but mainly for his lovely deep colours and wish I’d seen more people brave enough to weat them on the red carpet, including Tilda.

Kristen Wiig in Bill Blass. I like this 60s Saturday Night Fever look in the great nude colour with the long chain, it could almost be a jumpsuit from that era, but I do not like the oddly dyed, oddly large hair. Her face is pretty narrow anyway and having hair on either side of a similar size just makes it look tiny.

So, having chosen not to focus on the looks I hated, that’s about it till the BAFTAS.

Source: Zimbio

Can You Guess Where I Was?

December 20, 2011

I was working on a job yesterday, my last before Christmas, but can you guess where it was? That wall should be pretty familiar, specially for an Oscar winner.

Has SJP lost her USP?

November 10, 2011

I know that making negative comments about Sarah Jessica Parker’s style credentails is pretty close to blasphemy in some fashion corners but in my opinion the pretty minimal fashion cred she had anyway seems to have vanished over recent months. I display below some genuine shockers from a woman people call a style icon.

First up: this dress is an abomination. I think bows under the bust line should not be worn by anyone over five, the material looks heavy and over-starched, and the colour of the bodice is not at all flattering to her skintone. There is what looks like a hair twist around her wrist and the whole thing is finished off with a pair of totally unremarkable shoes.

Wow, is really all I can muster. Philip Treacy’s extravagant creation is not meant for someone so small nor for indoor wear.   This is not a case of ‘oh, that’s high fashion’, or ‘oh, that’s a concept hat’, it’s just bizarre head gear for an interview where the shadow over her face is comical and distracting rather than mysterious.  This is ridiculous.

Who doesn’t love a fluorescent yellow dress with dirty blonde hair? Not I. Let’s work up: yet another dull pair of shoes and made even worse by being white. Liz Hurley wears white shoes, that’s all you need to know about their fashion status. Do I need to remind SJP that any fashion designer in the world would kill to have her wear their shoes but she chose these! Then the acid colours of the dress, the drawstring waist, another hair twist bracelet and all finished off with what look like cheap plastic beads in baby blue…

This is another treat. Her make-up and hair are ok but oh, the clothes. This is jumped up nightwear. The awful frilly uneven hem looks cheap and tacky and the dress, which does nothing for her figure, is covered by an oversized dressing gown/jumper/coat thing. The jewellry is a random pick from the miscellaneous drawer, and then, hello lover, there are those shoes again.

Tacky bridesmaid? Slutty mother in law? Either way it’s awful. Just gaze in sheer amazement and ask yourself how a grown up woman could really leave the house looking like this. The dress is white lace, with both an asymmetrical neckline and an asymmetrical hem, and there is no help from the accessories either, with the little hippy wristbands, that horrible Carrie-esque flower throwback and the nasty short necklace with a beige metal trim bag. It hurts my professional stylist’s insides.

Ah, the classic combo of  jumper and skirt but wait, why does she look so uncomfortable? Is it because that burnt orange colour does nothing for her, or that she matched her bra to her cuffs, or that she borrowed the skirt from a colourful libriarian, or perhaps it’s that her hair is eating her shoulders?

This season was all about mixing bright block colours and it’s not so much that I don’t like this clashing mix but that it is TOTALLY unacceptable of any stylist/assistant/SJP herself to have put white shoes with this outfit. It immediately takes it to Saturday Night Fever territory, which is not a good way to go.

I am a great believer in not being too ageist when it comes to clothing styles or lengths, but honestly, has SJP forgotten that she left pre school about forty years ago? And that in fact this really isn’t a dress for any age, because it truly is so nasty.  Again she’s gone with studs and a short necklace which is boring and ageing, but hurray, at least the shoes are a little better.

We come to the end of these fashion faultlines with a truly stand out performer. We’ve already had the trampy white lace dress above;  this is its ugly sister. Note the horrible uneven hemline again and the old fashioned frill across the bust line. The slit tries to make it sexy but just increases the idea that her mother made it from her lace curtains.

Some Rafa to Help Kick Start Your Week

October 17, 2011

This is the film from the new A/W campaign for Armani Jeans and Emporio Armani underwear featuring Rafa Nadal.  The video was shot in Mallorca in an empty car park with Rafa undressing from a suit into a more casual denim look. He looks amazing and as you’ll know if you read this blog I love him, just a shame he’s not doing too well in the Masters out in Asia.

More Rafa

August 26, 2011

New photos of my future husband Rafa Nadal for Emporio Armani underwear and Armani Jeans A/W campaign have arrived in my inbox.  These new shots were taken in Mallorca by photographer Steven Klein and show a half-naked Rafa giving us his best ‘blue steel’.


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