Archive for the ‘FashionShows’ Category

Temperley London A/W2012

February 22, 2012

Get the Cossack hats out, ladies, Temperley has gone to Russia. Taking place at the Institute of Civil Engineers with its crystal chandeliers and painted ceiling, it did feel like a Romanov princess could have danced with a King here. The silhouette was lean and flattering, elevated with wonderful embroidery and beautiful beading; the colours mostly pale with red and blue highlights. Metallics and chunky Mawi jewellery completed the look and added the edge.

Todd Lynn A/W2012 London

February 22, 2012

This collection was both strong and simple, delivering clean lines without affectation.  There was perhaps a little more colour, the usual great cutting, especially in his use of leather, and some good relaxed suiting, the models tucking their wide legged trousers into slouchy boots for a less working-woman look. The music though was oddly eerie as if something dark was taking place.

John Rocha A/W2012 London

February 22, 2012

Sometimes it’s difficult to interpret into words the multiple combinations of cut, seaming, fabric and detail visible on the clothes close up, but I think my photos below give a pretty good idea.  This was a collection with a lot going on.  Ok, it was mostly all in black, but silks, satins, sheers, matts, knits and lace were all combined with big-scale belts, heavy footwear, kooky bags to create quite a show.  There was an interesting contrast between the big voluminous body-disguising looks and the clingy dresses and trousers with flashes of skin although neither particularly wearable.

PPQ A/W2012 London

February 21, 2012

When the first model came out wheeling a bike, you knew you were in for something unconventional, which is what we were given, what with the bodies worn with just tights, the nappy pants, the bonnets, but aside from these challenges there was some clever draping, some chic dresses, good collar details on coats and although the collection relied on black, white and grey, the one pattern was flattering and the splashes of green looked fresh.

Bora Aksu A/W12 London

February 21, 2012

So, this was the first show for me this LFW on Friday and it was good to be back at Somerset House. Bora Aksu’s colour palette was a good start and the warm pinks, peach and orange will be very welcome come the autumn. He likes to focus on cocktail and day dresses, this time with a hint of the governess about them, and the interesting ways in which they were constructed reflect his ‘romance with a twist’ byline, adding both detail and drama.

London Fashion Week A/W2012

February 20, 2012

It has been a very busy weekend for me with lots of shows and presentations.  It all ends tomorrow and I can start editing, writing and posting my photos. As always it’s been five full on days of typical London mayhem, mixing the truly creative with the mad world of the whacky wannabes.

My Top Looks from New York Fashion Week A/W 2012

February 16, 2012

This time around I have decided not to do individual critiques but instead make an edit from the multitude of shows that have happened during New York Fashion Week.   As usual I am drawn towards the chic looks and full on statement dresses from amidst trends that emphasised big jackets, lots of greys, socks with open-toed shoes and some questionably large hair.  I was slightly disappointed with Marchesa’s offering and as ever Marc Jacobs’s show was truly horrific. Overall there wasn’t a lot of colour for next season,  apart from a glorious DVF collection, for which I give thanks.

Source Style.com

Jean Paul Gaultier Couture Spring 2012

January 31, 2012

With couture it’s possible to put aside the need for wearability and to appreciate instead the imagination and sheer artistry this collection has. Yes, this was most obviously an homage to Amy Whinehouse but with more Parisian edge than she ever had. In this large collection there seemed to be an endlessly creative play on a number of themes, the corset of course, the slouchy dishevellment that created several asymmetrical shoulder lines, lace, yes, but sassily treated, and the deconstructed tailoring which was a highlight for me. Gaultier does colour and drama and sex so well.

Source: Style.com

Valentino Couture Spring 2012

January 31, 2012

Where to start? Some lovely old granny somewhere needs her curtains, sofas and nighties back! I have rarely seen such an array of nasty patterns, so much floral, frill and lace is my idea of hell. The loafers don’t help make this look modern or wearable.  I’m sure the workmanship is incredible and every element as exquisite as possible, but for me Pier Paolo Piccioli and Maria Grazia Chiuri still haven’t been able to showcase  what the Valentino name stands for.

Source: Style.com

Elie Saab Couture Spring 2012

January 30, 2012

I know, I know! It’s not ground breaking, it’s not unexpected, it’s not  high art, but it’s so pretty! This dresses are for the A-lister  and nobody much else but I refuse to criticise just because Elie Saab has a particular skill and sticks to it. To turn my fashion nose up at it would be to underestimate the joy of going through this collection and revelling in the lightness with which he constructs clothes, the perfect variations he makes in line and detail.  Lots of mere non fashion mortals don’t understand couture because it doesn’t translate into immediate trends but everyone can appreciate these dresses for their beauty and quality.

Source: Style.com


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